
Sing The Sorrow
Co-produced by Jerry Finn (Rancid, Green Day, Jawbreaker) and Butch Vig (Nirvana, Smashing Pumpkins), Sing the Sorrow retains the Bay Area outfitâs signature aggression and pathos â forging ever forward into uncharted territory like the virtuoso guitar intro of âThe Leaving Song Pt. 2â or the industrial-leaning break and Dead Can Dance-worthy outro of âDeath Of Seasons.â
Meanwhile, from its sublime intro through beautifully subdued verses and infectious choruses, first single âGirlâs Not Greyâ is a standout that both recalls AFI coming into its own on 2000âs The Art Of Drowning and hints at a myriad of future directions. Â For the purists, âDancing Through Sundayâ and âBleed Blackâ come strapped with generous chant-along opportunities and heavy-as-hell, bolt-tight riffs and rhythms. Â And as with virtually every track on Sing The Sorrow, these are all imbued with alternately brooding and celebratory lyrical imagery of rebirth, resurrection, apocalypse, all somehow deeply personal â in other words, classic AFI.
âWhen youâre playing a style of music that doesnât really fit anywhere, you run a risk. Â Youâre challenging people to leave their niche, to leave their predetermined ideas of what theyâre supposed to like. Â Luckily, we have a lot of people who just focus on the music and appreciate us for what we are. Â So we get fans from all different genres of music, the jocks, the spooky kids, skaters, college kids, punk rockers, hardcore kids, metal kids, all that.â â Davey Havok
Davey Havok, vocals
Jade Puget, guitar
Hunter, bass
Adam Carson, drums
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Co-produced by Jerry Finn (Rancid, Green Day, Jawbreaker) and Butch Vig (Nirvana, Smashing Pumpkins), Sing the Sorrow retains the Bay Area outfitâs signature aggression and pathos â forging ever forward into uncharted territory like the virtuoso guitar intro of âThe Leaving Song Pt. 2â or the industrial-leaning break and Dead Can Dance-worthy outro of âDeath Of Seasons.â
Meanwhile, from its sublime intro through beautifully subdued verses and infectious choruses, first single âGirlâs Not Greyâ is a standout that both recalls AFI coming into its own on 2000âs The Art Of Drowning and hints at a myriad of future directions. Â For the purists, âDancing Through Sundayâ and âBleed Blackâ come strapped with generous chant-along opportunities and heavy-as-hell, bolt-tight riffs and rhythms. Â And as with virtually every track on Sing The Sorrow, these are all imbued with alternately brooding and celebratory lyrical imagery of rebirth, resurrection, apocalypse, all somehow deeply personal â in other words, classic AFI.
âWhen youâre playing a style of music that doesnât really fit anywhere, you run a risk. Â Youâre challenging people to leave their niche, to leave their predetermined ideas of what theyâre supposed to like. Â Luckily, we have a lot of people who just focus on the music and appreciate us for what we are. Â So we get fans from all different genres of music, the jocks, the spooky kids, skaters, college kids, punk rockers, hardcore kids, metal kids, all that.â â Davey Havok
Davey Havok, vocals
Jade Puget, guitar
Hunter, bass
Adam Carson, drums
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Original: $43.02
-65%$43.02
$15.06Description
Co-produced by Jerry Finn (Rancid, Green Day, Jawbreaker) and Butch Vig (Nirvana, Smashing Pumpkins), Sing the Sorrow retains the Bay Area outfitâs signature aggression and pathos â forging ever forward into uncharted territory like the virtuoso guitar intro of âThe Leaving Song Pt. 2â or the industrial-leaning break and Dead Can Dance-worthy outro of âDeath Of Seasons.â
Meanwhile, from its sublime intro through beautifully subdued verses and infectious choruses, first single âGirlâs Not Greyâ is a standout that both recalls AFI coming into its own on 2000âs The Art Of Drowning and hints at a myriad of future directions. Â For the purists, âDancing Through Sundayâ and âBleed Blackâ come strapped with generous chant-along opportunities and heavy-as-hell, bolt-tight riffs and rhythms. Â And as with virtually every track on Sing The Sorrow, these are all imbued with alternately brooding and celebratory lyrical imagery of rebirth, resurrection, apocalypse, all somehow deeply personal â in other words, classic AFI.
âWhen youâre playing a style of music that doesnât really fit anywhere, you run a risk. Â Youâre challenging people to leave their niche, to leave their predetermined ideas of what theyâre supposed to like. Â Luckily, we have a lot of people who just focus on the music and appreciate us for what we are. Â So we get fans from all different genres of music, the jocks, the spooky kids, skaters, college kids, punk rockers, hardcore kids, metal kids, all that.â â Davey Havok
Davey Havok, vocals
Jade Puget, guitar
Hunter, bass
Adam Carson, drums
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